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Pauline Suij ( * 23th Mai 1863, Amersfoort – † 25th September 1949, Amsterdam) was an artist who attended the ''Royal Academy of Art, The Hague''. She belongs to the 2nd generation of the Hague School and Amsterdam Impressionism.〔The Amsterdam Impressioniamus is also known as the School of Allebé.〕 She was a member of the 2nd row of these two Dutch movements of Impressionism. ==Life and work== At the age of 23 she had already begun to work as a painter. Four years later she was admitted to the ladies class of the Royal Academy of Art, The Hague. There she studied from 1882 until 1884.〔After the foundation of art academies in the 19th century artists who had not undergone training at such educational institutions were called dilettantes. The new women's classes were a breakthrough of women being accepted by society as artists. This development had prevailed throughout Europe.〕 In Amsterdam she was a private pupil of Hendrik Johannes Havermann,〔Hendrik Johannes Havermann lived from 1857 to 1928. He is assigned to the Hague School. In addition to the genre of the portrait he had laid on the landscape, especially the city face.〕 John Gijsbert Vogel〔John Gijsbert Vogel lived from 1828 to 1915. His painting style was influenced by Andreas Schelfhout. And he followed the tradition of Dutch landscape painting and its construction of the image subject and the proportions.〕 and Jan Hillebrand Wijsmuller.〔Jan Hillebrand Wijsmuller lived from 1855 to 1925. After his training as an artist, he settled in Amsterdam. According to his œuvre, he is attributed to the chief representatives of the 2nd generation of the Hague School. His Œuvre is ranging from landscape painting with different subgenres, the genre and still-life. His works are including the cityface alternating between calm and dynamics of everyday life, the social links of its inhabitants and the change in the relationship of color and light - they are essential characteristic of the Amsterdam Impressionism and their composition grow. The brushwork of the Pre-Impressionist Johan Jongkind (1819-1891) can be found on his paintings, too. He used the technique of a Frans Hals (1582-1666) and partly the thick paint application of Rembrandt Harmensz. van Rijn (1609-1669).〕〔She was one of the well-known pupils of Wijsmuller.〕 Until 1889, she had a studio in Amersfoort. Then she went to Amsterdam. Her work was influenced by the environment of the school of Allebé and the flow of the Amsterdam Impressionism and her private lessons. Her genre was landscape painting, and although the city face. From the aspiring, prosperous metropolis Amsterdam substantial influence went on many young painters. The motives were almost inexhaustible.〔The active art cooperative "Maatschappij Arti et Amicitiae" had great influence on the young painters.〕 She used the art of drawing and oil painting. She was a menber of the Art Society Arti et Amicitiae (short popularly: Arti).〔The Maatschappij ''Arti et Amicitiae'' was the social integration into the cultural life of the city of Amsterdam. Here, the artist also exhibited his own works. He came in contact with art dealers and private buyers. About Arti also newspaper articles in the daily newspapers were published and helped the artist to fame.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Pauline Suij」の詳細全文を読む スポンサード リンク
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